Born and raised in Bowmanville, Ontario, Meghan Patrick has dedicated her entire life to music, wanting it to be more than just a passion. “I was drawn to playing guitar so I could start writing music to go along with the words I was writing. I wanted to be self-sufficient as a creative artist.” It wasn’t long until Meghan had mastered both electric and acoustic guitar as well as the banjo.
Prior to setting out as a solo artist, Meghan was the lead singer of the popular roots act The Stone Sparrows. A newgrass/bluegrass band, The Stone Sparrows released an EP and a full-length album before the members parted ways amicably in 2013 after playing their second Boots and Hearts Festival.
Meghan has quickly made a name for herself since signing to Warner Music Canada. She has recently signed a publishing deal with Olé Nashville. Her debut album, Grace and Grit is set to be released in the spring of this year. To make this album, Meghan travelled to a number of studios in Canada and America, including the capital city of country music, Nashville. On the way, she worked with producers Justin Niebank (Vince Gill, LeAnn Rimes), Vince Gill, Chris Baseford (Nickelback, Avril Lavigne) and Carly McKillip. To add even more star power to her debut Meghan brought in a few more big names, including multiple Grammy nominee Joe Nichols who duets with her on “Still Loving You,” and fellow Canadian Chad Kroeger, who co-wrote and produced her forthcoming debut single “Bow Chicka Wow Wow” along with several other cuts on the album.
In addition to Kroeger, Grace and Grit features an impressive list of cowriters, which includes Rodney Clawson (CMA Songwriter of the Year, ACM Song of the Year and Grammy Nominated), Gord Bamford, Chantal Kreviazuk, Marty Dodson, Patricia Conroy, Bruce Wallace, Buddy Owen, Phil Barton, Phil O’Donnell and Andrew Allan. What’s more, superstar engineer Justin Niebank, who has mixed for the likes of Taylor Swift, Blake Shelton and Hunter Hayes is mixing the entire record.
The songs Meghan writes are about real-life situations and are both personal and autobiographical. They are story songs, but they are her stories which infuse the material with an authenticity and sincerity that is palpable.
“I have to feel connected to the music, especially when I am playing live. The emotions I write about are real and audiences know when you are being true to yourself. Performing my own music and forming a bond with my audience is what I do this for. And that’s the most enjoyable thing in the world.”